KPop Demon Hunters joining the Criterion Collection is a notable addition.

Variety reports that the Criterion Collection will add KPop Demon Hunters alongside Guillermo del Toro’s Frankenstein, bringing the Netflix-released film to physical media; the article argues this matters for preservation and for widening discovery through Criterion’s catalog.

The Criterion Collection is reported to be adding KPop Demon Hunters to its catalog, a move covered alongside the inclusion of Guillermo del Toro’s Frankenstein in a Variety report. The Criterion label is widely seen as a curator of notable films and as a maker of high-quality home releases. The article argues that putting KPop Demon Hunters on disc matters both for preservation and for how audiences discover films. It also notes pushback from some who view the title as too commercial for Criterion’s roster. Report highlights: - Variety reported that KPop Demon Hunters will join the Criterion Collection, with Guillermo del Toro’s Frankenstein named in the same report. - The article describes Criterion as a distributor whose releases often function as a form of canonicity and trusted curation for many viewers. - KPop Demon Hunters was released for general audiences by Netflix; the film’s theatrical/streaming release date is listed as June 20, 2025, and its runtime as 96 minutes. - Creative credits mentioned include directors Chris Appelhans and Maggie Kang, writers Hannah McMechan, Chris Appelhans, Maggie Kang and Danya Jimenez, and producer Michelle Wong; voice cast references include Arden Cho and May Hong. - The article frames the Criterion release as important because a physical edition can aid preservation, especially for titles that originated on streaming platforms. - The piece contrasts critics who say the pick is too commercial with an argument that the release can broaden discovery and may support attention to other films in the collection. Summary: The reported inclusion will put KPop Demon Hunters into Criterion’s physical catalog, which the article presents as relevant to preservation and to how new audiences might encounter other films through Criterion’s curation. Undetermined at this time.